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In the second act there was scenery representing tombstones, there was a round hole in the canvas to represent the moon, shades were raised over the footlights, and from horns and contrabass came deep notes while many people appeared from right and left wearing black cloaks and holding things like daggers in their hands. And they quickly dug a trench as wide as the space the ship covered, and at the prow as far into the sea as it would run when drawn down by their hands. It shone with such gaiety and youth, such innocent youth, that it suggested the liveliness of a fourteen-year-old boy, and yet it was the face of the majestic Emperor. Prince Andrew, being always near the commander in chief, closely following the mass movements and general orders, and constantly studying historical accounts of battles, involuntarily pictured to himself the course of events in the forthcoming action in broad outline. Princess Mary understood his story and sympathized with him, but she now saw something else that absorbed all her attention. Prince Andrew, having reached the front line, rode along it.

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